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Worldcon Tomorrow!

Off to bed early tonight - I have to rock up at Worldcon at 8am tomorrow to assist with the art show. Say hi if you see me about!

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Century of Sand – Novel Preview

And, as promised, it's up. The first 40,000 words of my current project, Century of Sand.

Please, read it. Tell me what you think. This is my fifth novel, it's going to be my biggest project ever, and I want it to be fantastic.

Thankyou in advance, all you lovely people.

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So out of date…

I realised today how long it's been since I properly updated this blog.

Not with rantings and CD reviews and updates on Century of Sand, mind. With actual content. There are only four short stories here on the blog, even though I've written five times that in the past few years. Century of Sand is my fifth novel, but the only preview I have up here is for Weathermen... my very first book, completed nearly four years ago.

I don't blame people for not visiting. There's nothing to read.

Time to change that, though. I'll get off my arse some time next week and put up a proper preview for Alpha Slip (now that every agent in the western hemisphere has rejected it, I think it's safe to release it to the public). I also have at least five short stories in pretty good shape that I'd like to show off. Should probably review a couple new books, and PUNKPUNK has enough submissions already to make a solid zine, so I'll start editing that into shape...

I've also been pretty slack when it comes to keeping pace with my friend's blogs. So tell me... what's everyone working on?

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And, just because I’m vain…

If I was to e-pub Century of Sand, this would be my perfect cover.

Century of Sand

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Tis done.

First half of Century of Sand is in the bag. A neat 40,000 words. Test readers so far are saying good things.

Can I has beer time now?

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I promise I’m writing, I promise…

Two scenes left before I have the book half done.

“Kill it!” Poir was screaming from the head of the wagon. “Oh Daughter, oh Michaela, kill it, kill the bastard!” He held a long steel club in his hand but it dangled limp, as if he were frozen in place. Sweat shone across his pink brow and his mouth hung open. He licked his lips. “Bach, help her!”

The old man ran. The beast was coming back down the slope, head lowered, the bristles of its beard dragging trails in the sand. There was blood dried black on its jaws.

Its eyes met his, and he swore later that it nodded and acknowledged him before it charged.

In the moment it took to raise his sword the sandpig closed the distance, and the old man had just enough time to slash out blind and throw himself to the side. There was a great rush of wind, and a stink of rotten meat, and then the world vanished behind a spray of white sand. He spat and wiped his eyes clean. The sandpig had stopped short of the wagons, pawing at the ground. It wheeled for a second charge.

He was ready.

The long white tusks gouged trenches from the sand. He expected the beast to roar, but it came at him silently. The earth thudded beneath his feet.

He tensed, all the way through his toes. One breath.

He dove, and swung.

The impact ran all the way up his arm and into his teeth. Pain shot up his wrist as the scimitar was torn from his fingers. Coarse hair like the bristles of a broomstick brushed his cheek as the sandpig passed.

He didn’t have time to stand before it hit him. The sky was below and the dunes were above and then a crack echoed up his spine as he landed head-first in the sand. All was pain, from his legs up into his skull. He tried to breath and cold fire spread through his ribs. Splinters digging into his lungs, his heart.

He raised his head from the sand. The pig was coming back. Slowly, though; it listed, dragging its left foreleg as it stumbled. His blade still shone where it had stuck fast, just above the sandpig’s knee.

He could see now, that it wasn’t blood on the sandpig’s jaw. It had no lower jaw at all, and what he’d thought was dried gore was the hollow of its mouth. The creature’s tongue dangled from its open throat.

The old man tried to stand and his legs gave way. “Help,” he said, but all he could do was groan. The sandpig was gaining speed even as it limped. He could hear the sputter of its breath as it wheezed through blood-clogged nostrils. “Help-”

The first arrow hit with a sound like a slap. The sandpig reared, twisting to butt at the arrowshaft jutting from its shoulder. It drummed on the sand with its long, sun-bleached tusks.

Atop the wagon-train were two silhouettes. The priest, tall and slender and motionless. Beside him, the boy. Little Poir raised his bow and drew.

The second shot went high, and the sandpig charged the train.

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Updates…

Times are tough, the days are busy and the nights even more so. Some quick updates:

I'm 2 chapters away from having a readable chunk of Century of Sand done. It'll be put up here in PDF format as soon as it's ready. Hopefully within the week, but I've learned that making writing promises during the university semester is never wise.

PUNKPUNK is also coming along nicely. 4 submissions so far and another 3 on the way, plus my own. Should be a sweet little zine.

Scott Pilgrim was fantastic. It should be making lots of money, but it isn't. This is a travesty.

Michael Chabon is a god of writing.

My cat is adorable.

I'm out of tea.

And beer.

Bugger.

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Living poor.

I discovered today that Nyss and I officially live below the poverty line.

As defined by the Melbourne Institute of Applied Economic and Social Research (the dudes who update the official poverty line statistic), a couple in the workforce earning less than $537.07 a week are below the poverty line. We're well below that. And yet, somehow, life is cushy. We eat very very well, we have more computers in this house than we have limbs to use them with, we have a great book collection and an LCD TV, internet... We've never struggled with rent. We've never had to skip a meal. Our cat eats real meat seven days a week.

So how does one live below the poverty line, and live well? This is a pretty important topic for any aspiring writer - it's very rare that any author will find a full-time income from writing, let alone find one without several years (or decades) of hard struggle. But, if you have your head screwed on straight, you can live for very little in Australia. You just have to not be a nong.

1) Don't have debts. We don't have any credit cards or loans to deal with, which means that every dollar we earn is OUR dollar. Credit cards are a tool of the devil, and only serve to encourage you to buy shite you don't need.

2) Don't have any addictions. Primarily, that means quit smoking, don't drink every day, and get that needle out of your vein. But it also means stop buying books you'll never read, and stop collecting videogames you don't have time to play, and what the hell do you really need another anime figurine goddamnit? You have limited money. Keep it for things you need.

3) If your stuff still works, don't buy new stuff. You don't need another kettle just because the old one is ugly. If the leg on your coffee table is wobbly, fix the bloody thing. Do the curtains still block the sun? Then they're good enough. Use the things you have until they're broken beyond repair.

4) Eat less junk. Proper food is actually cheap as chips, if you know where to shop. Get to a farmers market and buy meat and veg in bulk - you can almost always get a small discount for purchases over 2 kilos. Turn up during the last half hour of trading and you'll get your food cheaper again. How can people not afford to eat when good carrots are $2 a kilo, potatoes are $1.50 and quality beef rump is $6 a kilo? It hurts me when I see families pushing trolleys full of chips and coke and microwave bullshit. A single microwave meal is $5 - for that, you could buy four entire meals worth of lamb chops. NOM NOM NOM. STOP BUYING SNACKS.

5) Also, eat less meat. Most Aussies eat far too much red meat, and you can still have a tasty meal with the meat spread thin. When I lived with my parents, we'd often have two or three sausages each, per meal. Now Nyss and I buy sausages from the market and split them. Half a sausage each is all you need when it's backed up with fresh veg and couscous.

6) Drink lots of tea. I don't know if it'll keep you healthy, but it sure is tasty, and it costs a lot less than coke. $10 gets you 300 Dilmah teabags - about 100 liters of tea, all up. Also, it makes you look sophisticated.

7) You don't need to have a drink after work with the boys. Especially since you know you'll end up buying at least one round.

8 ) Buy a good pair of leather boots and treat them nice. They'll last a decade.

9) Take public transport. Buy a monthly ticket and share it between you and your partner on days when only one of you has to travel.

10) Don't have kids.

11) Seriously, don't have kids.

There are so many other tips I could leave here, so many little ways we've found of saving money. For example, don't buy icecream or other pricey desserts! As I type this, we're sharing a banana for dessert. It's goddamn delicious. Also, disconnect all your appliances at the power point when you're done using them. Your power bill will drop through the floor. Get all your family on the same cheap phone plan so you can have infinite free calls to each other. Crochet your own cat toys. Buy clothes from thrift shops. Steal your neighbours wireless internet.

Times are tight for pretty much everyone. If you have a cash-saving tip, share it here!

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Sometimes you just have to move on.

After almost a fortnight of banging my head against a brick wall over a bunch of scenes in Century of Sand, I've finally said "enough is enough" and moved on. There are things I want to do with those 2000 or 3000 words that I can't quite get a fix on - little moments of tension and nuance and character development that aren't integral to the novel but would make it a lot better as a whole. But, for whatever reason, I don't know how to achieve that yet.

And that's okay.

See, this is a problem I've run into with almost every novel so far, and I'd assume most novelists have the same issues from time to time. They have a brilliant scene in their head, with a great build and a satisfying payoff, and then the scene refuses to construct properly. It nags and nags and nags, and if you let yourself get too caught up in it then weeks or months can vanish as you try to puzzle out a solution.

Often, the problem is that you don't yet know what you're trying to solve. Forest, trees, etc. You've probably already written what you originally hoped to write, and the reason it isn't working isn't because your execution was sloppy. It's because your original design was flawed.

The solution at this point is to say "Good enough," and move on. Imagine the novel as a whole and push towards a larger conclusion instead of getting stuck on the little steps. Write enough to create a functioning story arc and give it to test readers. Write something else - later scenes, short stories, diary entries. Whatever you need.

Getting stuck on individual scenes is the path that leads to madness and damnation. This is why talented writers start novels and never finish them - because everyone wants to cook the perfect steak without thinking about the rest of the courses or the after-dinner entertainment. They refuse to move on until everything is perfect, but they don't realise that they won't understand what the perfect scene is until the whole book is in their hands and they can see it as a whole.

The first half of CoS will be ready for test readers within a fortnight, maybe less. It won't be perfect. Some sections might even be ugly and hackneyed. But at least it'll be in your hands, and you can tell me what bits are shitty instead of me turning over the shitty bits in my head over and over and over.

Get your novels finished, people. Stop navel-gazing.

Posted in Discussion.

A little bit of truth in a very confusing world

At Woolworths today with the proto-wife, battling through the self-checkout system. After five minutes of screaming and the checkout failing to register the weight of a single item, we called over the service girl.

Me: I think this one's a bit bollocksed.
Service Girl: *sigh* They're all bollocksed.

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